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Updated: Apr 30, 2023


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ImageRon Lach

Archetype → Rebel

Rasa → Hāsyam (हास्यं): Laughter, mirth, comedy. Presiding deity: Shiva. Colour: white, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow

Archetype → Rebel

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Leela stopped to catch her breath before shouting again between the bars of the police cell.


“You!”, she shouted, pointing at the back of the police deputy walking away. His shoulders hung from the relief of having just locked in Leela—the loudest woman he had ever encountered—pricked up again at the sound of her voice.


“You’re a dog! A hired dog paid to bark at us people,” she shouted at his back, trying in vain to rattle the heavy bars. But, the bars stood resolute and responseless.


The policeman sat down at his desk and sighed as Leela turned around throwing her fists into the air. ‘Who’s power? People’s power! You can’t shut us down!’ she chanted.


Her shouting echoed around the cell and fell dead. From the adjoining cell, two women sitting on the floor watched her. One woman chewed betel, wore a chītta wrap and a stained T-shirt. The other wore smudged makeup, a long skirt, and a red satin blouse that took on a ghostly glow under the fluorescent light. Watching Leela, both wore expressions of half-hearted contempt. Leela recognised this contempt so well. From her university days—spent mostly in student protests—Leela had seen how, for most people, it was easier to respond to rebellion with a sudden disdain for lawlessness than to join its exhausting current towards upheaval.


Leela considered the two smoldering faces for a second; “You know why governments always make fools out of people? Because people act like goats who only know how to get herded; you sit here chewing away till the jackals come...,”


“Goats?”, snarled the woman chewing betel; the word ‘goat’ seemed to have struck her somewhere particularly sore. An escaped smile twitched Leela’s mouth; she knew that poking where it hurts was the fastest way to get people up and angry.


“Why does ‘Madam’ here get her own cell? Some big insurgency fellow?” the woman in the red blouse asked the policeman, cocking her head at Leela.


“Please be quiet, I’m trying to record this arrest,” said the policeman, his voice strained between concentration, exhaustion, and annoyance.


Leela felt her mouth open automatically in reaction, despite her best efforts to savor the secret pride of being speculated a ‘big insurgency fellow’. “Trying to send me to the Counter Subversive Unit? Dog!” she screamed at the policeman. But he scribbled away, determinedly ignoring the three women.


“Counter Subversive Unit? Damn good!” the betel woman’s voice cut through. “You insurgency-types belong there”.


“I heard there’s a torture chamber in some coconut plantation where you people are being taken to…”, the red-bloused woman said, unable to hide the glee on her face.


Leela seethed at them; “Yes! Goats like you’d rather see me dead than put effort into rising from your slavery. But, you know what? You’ll never see our revolution dead! Victory to people’s liberation!” she shouted, throwing a fist into the air. But, somewhere at the back of Leela’s mind, her husband’s voice echoed; ‘But, do the people you’re trying to liberate really want to be liberated?’


“To hell with your revolution. We have enough problems as it is,” said the red-bloused woman. “Since you got here and started shouting, they’ve even forgotten our dinner. You insurgency people never make it easy for the rest of us you know,” she said.


The policeman picked up the telephone and reminded someone about dinner.


“You don’t see the enemy do you? You don’t see how they make it about your people vs. my people, and keep us at each other's throats while they empty the bank…?” Leela shouted.


A man in khaki shorts walked in whistling; He held a tray of wrapped food and a glass of water in one hand and three carelessly stacked metal plates in the other. The man smilingly placed the tray on the policeman’s desk; He slid the metal plates under the bars without looking at the women and strolled back out, whistling.


“Wonder what’s in the special meal for Sir...” the betel woman remarked pointedly, picking up a plate.


“Not goat feed for sure...” said Leela, wiping food from the bottom of her plate.


The betel woman’s angry retort was cut off the next second when, suddenly, the electricity blacked out. Everything paralyzed into a soundless night.


“Police station being attacked? They cut the power? Apooo! The insurgency people are coming to kill us!” The red-bloused woman started wailing. “Let the thirty-three thousand gods see this! Oh gods I haven’t sinned that much...”


“Quiet! No one is coming to kill us!” the policeman’s voice snapped.


Without the ceiling fan and fluorescent lights driving them away, mosquitoes took over like a hungry choir. Leela heard their humming circling her. Their stings punctured her skin; She swatted one and got food on her forehead. To her side, a curse erupted in the betel woman’s voice with the sound of a metal plate being dropped loudly onto the floor. The startled policeman—who sounded as if he had just knocked over the glass of water—clicked his tongue in annoyance.


“What the hell is this power cut?” asked the betel woman.


No one responded. Even Leela had nothing left to say.


Only a quiet idea floating in the dark seemed to present an answer too uncomfortable to swallow. It settled down amidst them, growing painfully apparent against the dark.





The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



Updated: Apr 30, 2023


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Image → A.Savin

Archetype → Caregiver

Rasa → Karuna (compassion, sorrow), with Adbūtha (wonder) as secondary and tertiary bhībhatsa (disgust)

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Although Siri’s hands were watering the turmeric plants with perfect automation, her ears and mind were elsewhere. The loudspeaker tied to the coconut palm down the street was screaming something from the political protest being held at the edge of her watta—the little suburban quarter that Siri lived in. It bordered the dirty canal. Siri didn’t care for politics; She saw it as a game already lost. But, this government has pushed things beyond loss. The prices were brutal. Business had been so bad; and most of her clients, being as broke as she was, could no longer afford to escape their homes or wives. So, she half-listened to the political clamour while wishing they would just shut up and elect a real human for President. Why is the President never a real person who has had to stand in the gas line, or walk on asphalt under the Colombo sun when the bus fares hike?


Why is the President always a clown, a thief, or a psychopath dressed in human skin?


She sighed into the plants. At least, the turmeric plants were doing well. They’re going for two-fifty for fifty now. Siri scanned the leaves, picked up a young snail and flicked it into the canal through the wire fence. She watched the snail float away in the black waters with a flicker of guilt.


Do we live in a world where we have to steal someone else’s opportunity to feed ourselves?


Siri told herself that the snail will find sanctuary on the drainage barrier stopping the leftovers of city greed from floating into the sea. She caught herself reflected on the canal waters, broken into streaks of small currents. Siri felt utterly alone. Her bedmate hadn’t come home this week either; He could barely afford to drive his tuk-tuk to Colombo after the fuel shortage. But, what made Siri feel more lonely was the realisation that she didn’t really miss him; she just wanted someone to tend to. She watched the slow flow of the waters, unconsciously pulling at old hurts that are better left lost.


Siri was Siripāla then; another man with a job, wife and kids. Everything changed the day Siripāla came home to find his wife Leela arrested by the police counter-subversion unit. Soon, all that was left of Leela were old clothes, photographs and a certificate of disappearance. Their two boys were sent to their grandparents amidst the hills and paddies while Siri rented a cheap bunk room in the city to save every possible Rupee. This is where Siri first shared a room with a man. In the strange years that came, there were fewer and fewer visits home to the boys. Siri thought of her two sons; Jayantha would be fifteen now, and Jothi ten. She briefly toyed with the fantasy of bringing them here to live with her, but quickly threw the thought into the canal to float away with the snail.


Too much had changed to go back again.


Knees creaking laboriously, Siri got up to her feet and stood over the turmeric patch. The smell of sea salt came with the wind, making a strange combination with the canal stench. The protest up the street was still shouting about the cost of living. Whatever said and done, Siri was glad to have her house; She was free from the weight of rent that hung over the many heads in her watta. The ownership certificate for this perch-and-a-half plot cost her life’s savings. The canal bordering it was filthy, and the house was mostly gypsum board. But it’s hers. Siri just wished it wasn’t so empty. The devilishly loud children next door were getting an earful from their mother. Siri thought of the pandemonium that surrounded her in the tiny rented house all those years ago when she had a family—in another life. A full moon was swimming on the black canal water; it also swam in the liquid in her eyes.


Like the ocean, like the river, like water… always one with the other.




Updated: Jul 30, 2022

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Our monthly stories are productions looking to connect people to the magic of stories.

We create supplementary reading lists as a way to give you an insight into the inspirations and thinking behind our monthly stories. These reading lists take you behind the story, revealing the process of its making.

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Rasa → Kāruṇyam (कारुण्यं): Compassion, mercy. Presiding deity: Yama. Colour: grey, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow, Bībhatsam (बीभत्सं): Disgust, aversion. Presiding deity: Shiva. Colour: blue

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ArchetypeCaregiver

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Sadness is a rainbow; Low blues to brown dreary places and champagne-pink melancholia; From frantic orange distress and kind yellow glows of compassion, to the positively mossy green wet states of drunk-sad and everyday miserableness; The beige slow death of grief; Anguish cutting red and pointedly-purple brief displeasures; Grays—somber and dour—towering over the unmoving black waters of clinical depression.


The Rasa theory from eastern performance arts studies is one of our most useful storytelling tools. It’s a great viewpoint into human emotions and their enormous breadth. Among the Rasa theory’s nine elemental emotions, or aesthetic flavours, one of the most poetic rasas is karunā—a rasa embodying a range of emotional states from empathy to sorrow. Although not exactly a pleasurable emotion, karunā is an aesthetic flavour that has a curious ability to create beauty through vulnerability. This month’s story portrays the breadth and diversity of this emotion and the kind of beauty that it inspires. We’ve brought light undertones of two other rasas to add more dimension to the story; Adbūtha (wonder) voted most popular by our subscribers and bhībhatsa (apprehension).


We used the caregiver archetype from Jungian psychology to construct Siri’s character and explored some of its shadows like guilt and feelings of inadequacy. parallel to its strengths like the immense capacity to nurture and care.


In the reading list below, you’ll find stories, art and incidents that inspired us; from Joe Abeywickrema’s award-winning performance as ‘Wannihami’ capturing a father’s long-drawn sorrow, to the psychological disease ‘Munchausen by proxy syndrome’—where a caregiver fearing loneliness imposes nonexistent sickness on an otherwise healthy dependent.


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